Rounding out the last of my Possets Perfumapalooza posts is a trio of scents that I’m excited to try. (Not that I haven’t been excited this whole time, but, you know, semantics.) If you missed the previous parts they are here: Part 1, Part 2, Part 3, and Part 4.
Eve begins the end of my journey with whose description is a heavy oriental, resplendent with musks, earthy sweetnesses, lingering and sexy as only that first lady could have been. In the vial it is woody and slightly resinous with a touch of incense – deep and earthy almost. On my skin there’s a touch of vetiver with an almost animalistic musk (castoreum blend?). This is the earth and dirt and the sun beating down beautifully on a naked body. I keep getting an animal-like association – though I suppose that is somewhat appropriate. It’s dark and musky with a hint of animal and a touch of earth with only the barest bit of sweetness.
Ouija is next with notes of calming cedar and rosewood, black vanilla, fat vanilla, and a touch of rose to give it a sweet side, black silk scent, and a touch of coriander. Oooh, in the vial I get a nice whiff of rosewood and cedar. On my skin those are still apparent, though muted, and the vanilla and that intriguing black silk scent takes the forefront. This is flowing and haunting blend with bits of rose rising and flowing through all the notes. Black but almost gossamer in feel. It’s not a skin scent and is making itself known. Very nice! This is just throwing itself all over the place! I kind of like that.
Rounding out this wonderful ride through some of Possets catalog is Wings of an Angel with notes of hawthorn, white musk, a touch of ethereal mintiness, gorgeous regal vanilla Bourbon. In the vial is hawthorn and vanilla, and while those notes persist through applying to skin, they seem to warm up. The mint is soft and sweet, perhaps because of the vanilla bourbon. This is gentle, comforting and soft. Sweetly gorgeous and almost hauntingly beautiful. I could see myself wearing this to bed and drifting off to the soft fluttering of wings of an angel.
This has been a blast! So many bottle wants out of these 5 parts! I’ll get to those and hopefully have some more samples to test out!
Dangerous Oil will open this group of scents with notes of 6 musks from blackest black up through a rare and gorgeous in itself purple/blue musk hybrid. A good jolt of labdenum and an edge of cognac. The heart note is an entire chypre made only for this project and used for no other. In the vial I get that purple/blue musk and it’s so different and wonderful – you can actually smell the colors. On my skin the chypre comes out and a touch of the cognac with that lovely floaty labdanum. I’ve just recently (within the last year) fallen in love with chypre’s. This blend is not dark, but definitely not light – it’s shadowy. This floats around and the musks blend so well and the chypre is gorgeous. I’d expected this to be almost in-your-face strong, but it’s not, it’s almost a skin scent that occasionally wafts up to you.
Next up we have lil-ole’ Betsy with notes of very deep bass notes of patchouli, labdenum, vetiver, and oud All the spices of Arabia, Africa, and the Orient blended together with a huge shot of the sweetest and most high keyed musk. Lots of labdanum! Not that I mind. In the vial it is all patchouli and vetiver – so much so as to be overwhelming when sniffing. On my skin those calm down a touch and the spices come out. This blend when wet morphs as it settles and I get hints and blasts of each note. The musk is giving a slight bit of sweetness which is tempering the vetiver and patchouli from screaming. This blend is dark and sultry – very seductive and not shy at all.
Queen of the Night is described by Fabienne as a deeply perfumy blend with a deeply foody core. It is dry and then again there is a dry sweetness to it. In the vial I get a bit of citrus and a flower that goes soapy – though there’s about three that do that to me, I don’t think it’s dragon’s blood but one of the others. On my skin that soapy scent stays. I don’t get food at all – not even a little bit. This is all floral sweetness, soft and gentle. As it dries the soapy scent floats away and I’m left with clean and gentle floral perfume with just a hint of sweetness. The citrus was only in the vial apparently. This is just a beautiful clean scent.
Finally a scent close to my own home in Ohio – Over-the-Rhine! It is described as spicy, warm, unisex, resinous, oriental. I’ve been meaning to get this blend since I saw it over a year ago on their website. However, I have this thing where I get distracted by shiny things. It happens, okay? Anyway, in the vial I get a beautiful spicy resinous scent – like spices and frankincense tears. On my skin there is a touch of wood, maybe oudh, it’s warm and comforting – there is something almost smoky in the quality of it, but not a burning smell. This feels very classic and high class – as though it would be worn by anyone. It almost smells … familiar. Not like it smells like something I know, just that the scent combination has that familiarity to it – just like “oh yeah, I totally know you” even if you don’t. I am not describing it very well. So wonderful! I, of course, must get this – because Ohio won’t be my home much longer.
Sucreabeille is a new, to me, company that I’ve heard some wonderful things about so of course I just had to give them a try! Not only to they boast a rather prolific scent list themselves, they are also known for some really well done designer duplicates, so I’ve heard.
First up is Oud Wood – which oddly I can’t find in their Scent List – though a quick googling shows it’s a Tom Ford scent so this might be a dupe that was either discontinued or my searching skills are just horrible today (just as an aside – I’ve never smelled any Tom Ford scents). In the vial this is a soft, slightly sweet wood scent. On my skin I get something almost citrus-y, like a mix between a lemon or a not-quite-ripe orange. As it dries more of the smooth oudh scent comes out. It’s a light brown scent, not strong, not overwhelming, more serene and calming. It just is. This stays fairly light, even after a few hours wear and doesn’t have much throw to it. It’s a close skin scent but beautiful nonetheless.
Frankincense & Myrrh is a common theme in my preferred scents, if you haven’t noticed. Sucreabeille lists notes of frankincense & myrrh,deep, smoky, & rich, warmed with amber & vanilla. Hmm, another hint of citrus. I wonder if it’s something in their carrier oil. On my skin I get a strong sense of lemon peel. It takes a while but the lemon peel begins to fade away and I am left with a smoky frank and myrrh combo with just a hint of vanilla. This has a heavy feel to it but I can’t seem to shake the lemon peel. A quick google is telling me that frankincense can smell like lemon – huh I’ve never really gotten that association before. Could be because there isn’t a lot to the blend and so the frankincense is able to do it’s thing and not be hindered by anything else. It takes a few hours, but the lemon association goes away and I’m left with the hint of burning frank and myrrh with a touch of golden amber and just a bit of vanilla.
Champanilla sounds like a party animal eh? It’s notes are nag champa, softened with vanilla bean pods & musk. Nag Champa is like a roller coaster scent for me – it has it’s highs and lows depending on how prominent it is in the blend. I prefer my nag champa to be less of a key player and more of a supporting actor (because nag champa is totally a dude ya know). In the vial it’s all vanilla and musk, beautiful and almost foody with a touch of a crystalline aspect to it. On my skin the nag champa is soft, like a pillow that is supporting the vanilla and musk. Every now and then it gets something close to an animalic quality to it, but then it backs down and starts heading towards gourmand. See? Roller Coaster of emotions over here! I don’t know whether to drown myself in it or wash it off. Now I’m getting something akin to a freshly cleaned dog warming in the sun – that soft, warm, and almost golden feeling that you only get from a dog’s natural clean scent. It reminds me of the dog my Dad had when I was younger – a beautiful black chow, lab, and German shepherd mix. Abby was the best dog ever and so loyal and sweet. It reminds me of her. Eventually this looses that animal quality and settles into a very prominent vanilla with a hint of musk and nag champa. The throw on this is decent for how soft it is. It’s still wafting around me a few hours later.
Mourning Wood (again, I’m really a 12 year old boy *snicker*) with notes of Amber, Madagascar vanilla, rich musk, sandalwood, & oud wood. In the vial I get a nice golden amber with a touch of musk and some sandalwood. On my skin it almost disappears for a moment but as my skin warms it I can smell it more with each sniff. The vanilla is almost floral in nature and the musk seems golden and almost skin-like in nature. The oudh and sandalwood are a nice golden wood base to the scent. Overall this is a close skin scent that is golden and slightly sweet. It’s a delicious (not in a food way) blend that just brings to mind relaxing on a hammock with the sun shining and the birds chirping while the sun filters through the trees.
Last we have Corpse Bride with notes of black roses, white amber, damp earth, vanilla, tonka bean, & musk. Oh this one is beautiful. I love black roses! The amber and roses come together for a truly beautiful scent – it’s heady, slightly sweet, and just a touch powdery. I’m not getting much damp earth, which is a bummer, though I do get some vanilla and the fuzzy tonka. This is beautiful and almost haunting.
I purchased their dry-oil sample set – unfortunately, either due to my own lack of hydration or other skin chemistry related issues, or their formulations, none of the scents lasted longer than 2 hours – except for Champanilla which is still faintly discernible after about 4 hours. I cannot say how the longevity of their other products will compare.
Here we are, back again for more Possets Perfume Perfection! If you missed them, here are links to Part 1 and Part 2!
To start us off with this round of scents we have Dance With Me whose notes consist of: coumarin-laced lavender combines with fizzy pink grapefruit, and it all rests on a bed of white musk. So exciting a new note! No idea what coumarin smells like! (I worked in a doctor’s office, so all I know is the medicine – which has no smell.) And lavender … let’s see if Possets works for me – I so want to be able to wear it! In the vial it’s a pretty perfect pink grapefruit! On my skin it’s much of the same, super happy and uplifting. The white musk is under it giving it something to rest on. As the grapefruit calms down into just a hint of that juicy sweet perfection the lavender comes out soft and gentle. So far none of that sharp nose-hurting smell that I have gotten from other lavender’s. There is something kind of green wafting around. Maybe coumarin? (Need to google!) Well, that was interesting – and hard to describe but what I read from several sources was that it typically has a tonka-like smell (which for me tends to be brown and fuzzy). However, it can also have a hay-like association. Either way Dance With Me is a beautiful scent with lavender that I can wear! It’s super bright and soft – perfect for summer and dancing with my girls. The citrus never really goes away, which sometimes can happen. This scent is so far from anything I would normally pick for myself that I am over the moon happy! Usually you hear of citrus scents not having much lasting power, but this isn’t the case here. It’s over an hour later and still going strong!
Next up we have Dies Irae with notes of three BLACK musks, one fog-like musk to disburse the whole, bitter galbanum, smooth hawthorne, the scent of rotting leaves, a small amount of orris, and smoky oude, finally frankincense and black amber. Well talk about opposite end of the spectrum! In the vial it’s all leaves and orris – and it’s that lovely wet, decomposing leaf smell you can only get from a forest floor. On my skin that decomposing leaf smell stays (I actually love that smell – but I’m weird so …) but the orris does this cute thing where it plays peek-a-boo. The musks are there but they aren’t assertive, just keeping things nice and dark so the leaves can rot in peace and the ground can be rejuvenated by the natural process. To me this is just a big dense forest doing the things that forests do best – death, rebirth, and renewal. This has a great throw to it and just a wonderful fall-like scent.
Evita Peron, part of the Femme Fatales collection, boasts notes of Egyptian musk, followed by a very unusual leather component which conjures up the scent of violets (!). This is accompanied by a dry white amber, and a kiss of ginger. In the vial this is white amber and … violets! Fabienne is right about that leather, how cool! On my skin this is soft, sweet violets with a touch of musk and just a hint of ginger. It is soft, somewhat sweet, and just classic. This isn’t a super complex scent, but I can’t stop sniffing the spot on my hand. It’s just so sweet and comforting, yet it’s also elegant and almost commanding at the same time.
Salome is the last scent for this round and is also part of the Femme Fatales collection. It’s notes are comprised of Black and African, myrrh, frankincense, cedar, ivory musk, green coffee pulp extract, and a very light light misting of black Mexican vanilla. In the vial I get green coffee. This may be seen as blasphemous to some – but I dislike coffee with a passion. I don’t drink it, I don’t like to smell it, I’m just not a coffee person. Please take my preferences with a grain of salt. I will try to be objective, but sometimes you just can’t help what you can’t help. On my skin, thankfully, the super prominent green coffee note is almost completely gone. In its wake I am left with beautiful myrrh and resinous frankincense. The cedar forms a beautiful base while the musk just gently presents itself. The vanilla isn’t apparent, but I’m sure it’s in there. This is dark, beguiling, and a little off base.
I received these two samples from my last Arcana order. I’ve never tried Puppy Kisses, though I’ve seen some rave reviews, and it looks like The Moonflower’s Bliss is new! YAY! I love reviewing and testing things before they come out. Thanks Julia!
Puppy Kisses is up first with notes of a batter of rich cream, soft coconut milk, rice syrup, copaiba balsam, massoia bark and milky pearl musk is gently licked with sweet peppermint, sugared bayberry, and the tiniest smooches of Oregon lavender and Dalmatian sage. In the vial it’s sweet peppermint – those one’s that melt in your mouth the moment they touch your tongue. On my skin that peppermint is still prominent, but it is tempered by creamy coconut, a touch of lavender and a sprinkle of sage. This is fresh, clean, soft, and playful. Perfect representation of fun loving puppy kisses!
Next we have The Moonflower’s Bliss. No notes are listed, yet, for this scent but I’m going to go out on a limb and guess there’s moonflower in it! I love moonflower! Oh wow, this is a heady blend of florals in the vial. On my skin I get the moonflower, beautifully soft and slightly sweet with just a hint of dew maybe. There is a greenness around it as though you are smelling the whole plant, sky, and night instead of just the flower. This is a perfect representation of the flower and plant in all its glory. You can even get a sense of the night sky! I can’t wait until this scent is available for purchase! It’ll be wonderful for those warm summer nights.
After typing this up earlier this morning, Julia released The Moonflower’s Bliss on her ebay page. The notes for this blend are moon vine, heartleaf milkweed, Calla lily, white tuberose, gardenia, and Madagascar bridal veil with creamy butter CO2 extract, pearl musk, white pepper, and a trace of incense.
Welcome back for another Perfumapalooza with Possets! I’m putting another small dent in my rather large collection of samples. Wee! If you missed Part 1 it’s right over here.
First up is Howl. It has notes listed as black, red and amber musks wrestle furiously with sandalwood and opium tar resin. There is nothing light, sweet, or gentle about this scent. A burning incense backs it up, black patchouli stands in the forefront. In the vial it’s burnt opium tar and dark patchouli. On my skin the musks seem to be fighting each other though the red musk is at the forefront with a base of opium tar. This is dark and resinous, but it fights with itself – the notes all trying to figure out how they will meld together. It takes a while but the musks finally come together and take the lead with the rest of the notes hanging out in the back. It’s a rough scent with nothing soft or frilly about it. But man, once this dries down this is gorgeous! It’s incense and woody! It leans a touch masculine. Oh man, I honestly wasn’t sure I would like this at all, and for a bit I could take it or leave it, but after it’s sat for about 10 minutes this is just beyond beautiful!
I actually have a bottle of Arrival of the Queen of Sheba, it was my first bottle purchase from Possets. It has notes of Mysore sandalwood, suede, frankincense, patchouli, 4 vanillas. This is all vanilla in the vial, but it’s not that super buttery gourmand vanilla, it’s softer and gentler. On my skin the sandalwood and frankincense comes out with just a touch of the patchouli to tamper a bit of the vanilla. The suede is soft and touchable (that’s totally a thing ya know). Overall it has a soft almost fuzzy brown and sweet scent around it. It’s comforting and cozy.
And, because I have a bottle that has been aged nearly a year, lets see what aged Arrival of the Queen of Sheba smells like shall we? (The date I put on the lid is July 2015!) In the bottle the vanilla has an almost boozy quality to it, like one of the vanillas is a bourbon vanilla. The sandalwood and frankincense is super smooth and the suede is super soft and only a touch fuzzy. The patchouli has smoothed out as well. As if fresh isn’t comforting and cozy enough, the aged just keeps going, like sinking into the most luxurious seat imaginable. However, once both have completely dried down, there’s not too much difference. Aged is just slightly smoother overall and it starts smooth instead of the somewhat bumpy start the new vial had.
Nocturne is up next with the simple notes of balsam fir and a thick crust of sugar. So … different. I get the evergreen scent from the balsam fir and it is truly coated in sugar. This is so unique! I went to a museum of natural history yesterday and there was a display of different forests and this reminds me of what the display of coniferous forests smelled like. Solitary and steadfast are two words that come to mind when I sniff this. I think this would be a beautiful scent for an oil warmer. I’d love my house to smell like this. Unfortunately my skin eats this scent after a few minutes so I think putting this in the oil warmer will be best.
Lady and a Baby Unicorn will round out this batch of reviews and her notes are: using the right type and right amount and right dilution, vetiver (that sultry, earthy, wild, and dominant part) becomes positively docile, sweet, and innocent…almost fruity in the presence of three vanillas (dry, fat, and sweet). Vetiver and I … we have a love/hate relationship. Sometimes I love it, sometimes I hate it. In the vial it smells like … jello? Ha! On my skin I still get the jello association. Eventually it evens out and I get a touch of earthy sweetness. This scent is another unique one! Fabienne sure does know how to do unique scents!
Freshly turned spring earth, new grasses, and an incantation of thirty-seven incense elements that have been aged for thirteen lunar cycles.
So intriguing! In the bottle this is a really familiar smelling men’s cologne. Polo? That association goes away pretty quickly as the fresh turned earth makes itself known. Just sniffing the bottle still – not a drop on my skin, I get some familiar incenses as well – nag champa for sure, patchouli, something with a blue tint, and there’s almost a “rain” quality.
Okay, now for the skin test! Oh wow. This is morphing so quickly it’s hard to capture everything. There is definitely a earthy dirt smell at the base with a bit of dew covered grasses. Over that however, is where the dance begins. The incense is wafting about as though it is pushed along by a breeze. It shifts and twists and turns so you get a different incense at the forefront at each sniff. I got a hint of something minty there for a moment. The nag champa and patchouli aren’t as prominent but get their turn in the dance.
This is a wonderful late Spring early Summer evening scent. It smells like the Earth. It smells like the joy you have as a teenager being able to stay up late on a summer night and enjoy the grass, the earth, the stars, the bonfires, and the scents of everything around you.
Edited to add: My husband came down stairs and stood next to me and asked if that was the “new stuff”. He says it smells like forests and pine.
Personally, this is one of the best “dirt” scents I’ve had the pleasure of sniffing. I like that there’s no florals – just this beautiful wet dirt scent with the incense wafting around it. I’m in a cloud of dirt and incense heaven!
I have a huge pile of Possets samples that I’ve purchased straight from Possets, or from Ajevie, and some I acquired via freebies from purchases or swaps from other members of the Indie Perfume community. It is their time to shine!
Zombie is one of the blends I hear so much about! It’s always described as marshmallow oudh – what’s not to love about that?! The “official” notes are listed as: toasted marshmallow and oude, a bit of burnt stick, and the unmistakable fragrance of the crisp autumn air. (There are many different spellings for oudh, oud, oude, and I’m sure there’s more.) In the vial I get a bit of oudh and a touch of that crisp autumn air. On my skin it just … wow, it’s so unique! It’s marshmallow all right, that ooey gooey melted marshmallow that you only get from a stick and a fire. There’s no burning smell, just this lush woody scent topped with marshmallow. I get the hype! It’s very soft overall, however, the longer this sits the more the marshmallow fades to just a hint of sweetness and you’re left with this smooth and fragrant oudh.
I have to admit this next one I’ve tested already as I’ve been eyeing it fiercely for months and I’m happy it made the permanent collection! That scent is Min-Min (Ghost Lights) and it boasts notes of Sandalwoods, three of them, combined with the rich enticing scent of leather, a strong and classic patchouli. In the vial it’s almost all leather (it’s a cross between new shiny leather and that soft, well-worn leather I prefer). As it dries the sandalwood comes as does the patchouli. It’s a warm patchouli, almost golden in its scent. Despite the notes in this not typically being seen as ethereal, somehow it is just that – floating and ethereal, yet grounded. As this sits on my skin longer the leather goes from the forefront to somewhere in the back where it just gives hints as to its existence in the blend. Very beautiful and almost haunting blend.
Jeanne duVal is part of the Femme Fatales 2016 collection with notes of 5 ambers (two golden, one dry, one sweet, and one which is what I call Black Amber), add to that African Musk, a drop of aged sweet patchouli, a nice swath of labdanum, a large part of a very very dry and somewhat woody Bourbon vanilla, a bit of sandalwood, and just the right amount of Haitian vetiver. I get a nice sweet blast of bourbon vanilla in the vial and … chocolate? On my skin the vetiver takes over and for some reason there is something reminding me of chocolate. Or rather, more of a cocoa than a sweet milk chocolate. The ambers begin to make their appearance which pushes that weird cocoa note further away. I wonder if one of the ambers is a grey amber because I get just a hint of saltiness. The bourbon vanilla begins it’s ascent to the top with some of the sandalwood. I’m not getting a hint of labdanum which usually gives me a floaty feeling in a blend. This is a very grounded scent … but something is still giving me wafts of cocoa! So weird! If it weren’t for the cocoa I think I would really like it! Huh, it took a while, but the cocoa scent finally went away and now the labdanum has come out with it’s floaty essence.
The Mistress of Power will round out Part 1 of this review with notes of an incense and musk scent, a great oriental. Black, grey, and golden musks at the base, a good part of aged patchouli (which has gone from a thin light yellow to a thick dark brown over the years in the curing cabinet) there is absolutely nothing coy about this blend. Backdrop of a non foody and more brandy-like chocolate liquor, a small amount of clove, all finished off with an ambergris-like musk for a shadow-like staying power. The scent in the vial is boozy, but that goes away almost as soon as it touches my skin. Wow the patchouli is strong in this one with a good bit of a golden scent to it. The incense is strong, but not overwhelming. This is a resinous and incense blend, not for the faint of heart. It is commanding and powerful making itself known. There is a bit of subtle shifting between the notes as they vie for power and dominance. It takes a while, but eventually they settle into a golden resin and incense blend with just a hint of sweetness. This actually reminds me of the Lotus Spa I went to on the Outer Banks! Such a lovely and relaxing place. But that’s quite the dichotomy isn’t it?
Here we are back for more wonderful Deconstructing Eden sample reviews! This is the batch that has some of the Valentine scents now discontinued for now. If you missed the previous review thread – here is Part 1.
Stung, from the Valentine release, boasted notes of three types of honey, beeswax absolute, sweet amber, green pepper, black pepper, cinnamon, nutmeg. Oh wow. Amber is what presents itself first to me. With all the pepper and cinnamon you’d be thinking SPICE, but it’s not overpowering at all. The honey is sweet and the beeswax a little smoky. As this dries the spiciness does amplify, but it never crosses the too much mark. This is very well blended and I’m sorry I missed out on a bigger bottle of it. Maybe next year! I’d love to have a bottle of this!
Another from the Valentine release is Song of Solomon whose notes consist of Rich myrrh essential oil, tolu balsam, aged honey, incense, cedar wood, sandalwood, wine, vanilla, and coconut milk. I hate to say this … it starts out as a public bathroom scent. A clean one, but … yeah. It might be that I traveled recently and stopped in a lot of rest area’s along the highway and I just can’t shake that smell yet. Other than that, like I said, it smells clean. I can’t really pick one thing or another out unfortunately, so I may put this to the side and come back to it with a clearer nose. I get honey and wine. It’s a very beautiful scent, I just can’t shake the association I have with it.
Silver Moon is a general collection scent and its notes are listed as moonflower, white amber, musk, jasmine, white ginger, feral, silver moon. Her listing says it was a custom blend for a dear friend who allowed Toni to sell it. Huh, there’s almost a peach or apricot quality at first sniff. Oh … that’s the ginger. There is something animalic about this blend. Brings to mind the phrase “pale moon light”. It is soft and glittering white with a hint of a bite to it. That ginger is very prominent in the blend. Different and intriguing, I like it.
Little lost Alice in Wonderland whose notes are candied lemon peel that mellows into violet and rose with vanilla rounding out the entire blend will bring this scent adventure to a close … for now. Mmm … violet candies! The lemon isn’t strong at all, like I feared it would be. Instead it is soft and understated but gives a nice brightness to the blend. Vanilla, violet, and a touch of rose are the stars in this blend. So sweet it’s making my teeth ache though! This leans on the foodie side to me, oddly enough and unfortunately it makes my stomach queasy. Think this might be one for the lovers of all things gourmand. Annnnnd it’s making me sneeze so much. =( Can’t have ’em all I suppose.
I have been hording several Deconstructing Eden samples and I am finally able to do some testing! Opening them up, as they are wrapped in plastic, was wonderful as each new scent peeked its way out. A few are from the now gone Valentine’s Day release. I apologize for being late on those and will endeavor in the future to give reviews prior to the scents end date.
I adore Deconstructing Eden. Their silage and longevity is beyond what you normally expect from an EDP. The scents are wonderful and you get only a bare hint of any alcohol – it’s all about the beauty in the bottle. Their Type O Negative inspired scents are what drew me to them, and Burnt Flowers Fallen is what kept me coming back.
Besotted is first in the line up and its notes are spun pink candy floss, vanilla, pink grapefruit, sweet amber, black and red currants, honey drenched figs, a trace of tuberose, apricot, guava and apples. This note list just sounds like preteen puppy love! The pink grapefruit is in the forefront at first with figs and a touch of sweet amber backs it up. This is pink to the max but isn’t overwhelmingly sweet. The apricot and apples are soft as are the currants, but they lend some much needed non-pinkness to the blend. This is that heart flutter when you lock eyes with that cute boy in the hall who you swear doesn’t know your name and you feel like you could at once fly and melt into the floor. It’s your first stolen kiss at once too short and not short enough. It’s all the things that you love, even briefly. As this dries, it’s almost like growing up and that puppy love phase becomes a sweet memory.
Next up is Halo with its notes of moonlight, sea water, lilacs, wisteria, honeysuckle and moonflower. This opens with a touch of salty sea water and moonflower. I adore moonflower for its slightly watery and white scent. It’s soft, inviting, and alluring all at once. As this dries the honeysuckle comes out and the lilacs join the party. It’s a soft moonlit floral bouquet with soft white and purple flowers with just a hint of the golden honeysuckle. Very pretty, genteel, and glowing. This one ended up being a hit with my two daughters!
Éros, much like the god, is fiery in color with notes of deep, dark amber, gardenia, lily of the valley, velvet red roses, cinnamon and Egyptian jasmine. Normally I shy away from blends with cinnamon in them because other companies tend to burn my nose with it. However, Toni’s Cinnamon Girl (which I got to complete my Type O Negative scent set) showed me that her cinnamon is not to be feared and even being the center of a blend doesn’t mean it has to overwhelm.
However, Éros starts out as … dill pickle?! That’s … well … different. Oh good, that only lasted 30 seconds. Second sniff gives some dark amber, almost black with gardenia and cinnamon coming up right behind it. This is an exotic blend. The Egyptian jasmine is soft and fleeting and the roses seem to be clinging to the cinnamon. It’s not bakers cinnamon either – it’s … this is like walking into a greenhouse that specializes in exotic and hard to grow flowers. I’ve been in a greenhouse that smells exactly like this, but for the life of me I can’t remember where. In those situations every scent seems amplified yet it meshes so well together. To me this leans slightly masculine but not so much that I wouldn’t/couldn’t wear it and pull it off – though I tend to enjoy more masculine leaning scents. I can’t get over this scent association I have with it – it’s so evocative.
In keeping with the love fest going on, next I have a sample of Adore with notes of violets, citrus, jasmine, ylang ylang, lily of the valley, magnolia, tuberose, lotus, iris, bourbon vanilla, white musk and rose. Hmm, this is super soft, almost too soft to detect. There is definitely some tuberose and bright citrus. Ooh there’s the jasmine and iris. The vanilla is almost non-existent – but bourbon vanilla is usually too soft for me to pick up. I’m getting something of a “soap” quality. Nice soap, mind you, but soap just the same. Overall this is a nice blend, but too soft for my tastes.
Jacqueline leaked a little into the cap but that allowed an early glimpse at her scent. The notes include base notes of a clean skin musk and mahogany, dry amber accord and heart and top notes of sambac jasmine and jasmine officianale. It isn’t often DE lists base, heart, and top notes for her blends. Not sure if this is a new thing or an old thing. I kind of like guessing myself. Oh man this was love at first sniff when opening and now that I’ve a spritz of it I love it even more. It’s soft and woody with lovely bursts of jasmine. Simple, sweet, and utterly perfect. Jacqueline will be a large bottle purchase for sure. I just want to wrap myself in it.
Stay tuned for Part 2 of my Deconstructing Eden reviews!