Siberie Perfumes – General Catalog Reviews

Those samples I reviewed earlier were not the only things to make their way to me from the lovely ladies over at Siberie Perfumes.  They were also kind enough to send me a few 5ml’s (their regular bottle sizes are 15ml!).

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photo by smellallthethings

Cordelia – Blended with the aroma of crisp cucumbers, juicy honeydew melon, marine notes of ocean air & fresh green tea.

In the bottle I get a nice crisp green scent with a hint of something watery and a little musky.  On my skin the ocean air is strong, as though it is the morning after a storm.  The cucumbers are lending a nice green scent while the honeydew is juicy and sweet.  I’m finding that the tea is there, but not prominent.

I swear I’m getting something musky and I’m wondering if there’s not something of an ambergris-type note – or grey amber being used for the ocean scent.  There’s also something almost cottony in here, soft and fuzzy.

After about 20 minutes this has become soft and flowing, yet still freshly green and slightly watery.  It has a decent throw to it in that I can smell it if I move my wrist around.  This blend leans unisex with an undercurrent of a masculine feel.  I’m about 2 hours in and I still get wafts and it still smells wonderful on my skin.

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Sang Des Dragons – Deeply seductive notes of pure aged dragon’s blood resin, sandalwood, gardenia & orris ( violet note) with teases of cassia ( light warm cinnamon note), woodsmoke, bourbon vanilla & earthy patchouli. A dark fragrance that is hauntingly beautiful.

In the bottle I get the loveliest deepest dragon’s blood note with this softly spicy underground.  This is deep, red, and resinous.

On my skin this only deepens.  I’m stuck huffing at my wrist and I get an almost hippy-shop type smell.  Not in a bad way either, this is beautiful and deep.  The dragon’s blood is the spicier version, not the more floral, which is just perfect for this blend.

I love how resinous this is!  The sandalwood is fresh and just harvested while the gardenia is doing it’s heady gardenia thing.  The cassia is not as light as the note list says, at least not on me, but it is by no means overwhelming (so maybe that is light!).  You can definitely smell the woodsmoke in this but it’s off in the distance and not at all in your face.  There’s a touch of vanilla – just a touch and that earthy patchouli is deep and brown and grounding.

Confession – after 15 minutes of having this on, I slathered.  Flat out had to have more.  The throw is beautiful, the longevity went for about 4 hours until I went on a long walk then it exploded and disappeared within 15 minutes of 100 degree weather.  Which is fine, I didn’t want to have it blasting because it is a warm scent on its own.

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Cake & Eat It – Dreamy notes of vanilla birthday cake frosted with rich buttercream icing, french coconut macaroons, a pinch of orchid & a soft warm base of white musk.

Who doesn’t want to have their cake and eat it too?  In the bottle I get a very musky vanilla scent with just a hint of cake.  On my skin it’s very much a single note white musk.  It takes a few minutes, but finally the cake and frosting comes out with just a hint of coconut-y macaroons.

The scent wafting up to me is more orchid and musk with a hint of buttercream icing and it’s not nearly as gourmand as I thought it would be.  I’m finding it to be quite soft and comforting with a dollop of sweetness.

Throw-wise, this is fairly decent – not strong, but I do get whiffs of it here and there.  I’m really enjoying this one more than I’d expected to.  I do love a good orchid.

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Ma Contessa – Sultry, sweet and spicy this decadent elixir has notes of the most delicious aged bourbon vanilla, caramelized marshmallows with a piquant swirl of dark clove, cardamom & cinnamon. The soft dry down eludes femininity with a caress of golden amber & sensuous Australian sandalwood.

In the bottle I get a lot of caramelized marshmallow, a good helping of clove, and fragrant sandalwood.  On my skin, however, most of the sweet notes are gone almost immediately and what is left is just a very slightly caramel sweetness that gives a nice undercurrent to the clove, cardamom, and sandalwood.

Admittedly, I’m not really a fan of cardamom, even in cooking.  It’s not bad, just not really my thing.  I also dislike cilantro.  And olives.  That being said this is somewhat spicy and has a very good throw to it and wafts up of its own accord – no hand-waving needed here!

I’d really love more vanilla and amber in this blend, personally, but with the cardamom it’s probably not something I would reach for anyway.

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Candice – Blended with the sweet temptation of juicy dewberries, fluffy pink cotton candy, whipped marshmallows &  pink sugar captured in a soft base of white musk & a tease of French vanilla.

Berries and cotton candy on a base of white and ethereal musk in the bottle.  On my skin the berries become very juicy, almost fresh squeezed into a delightful drink.

You would think with the cotton candy, marshmallows, and pink sugar this would be tooth-achingly sweet but it’s not!  Somehow that white musk tempers it and keeps it from becoming just too much to handle.  I adore this sugar scent as well.  It’s mixed with the cotton candy, as thought it was dusted in pink sugar.

As this dries I’m finding to to be more a lighter skin scent.  It does not have much of a throw, though I do not need to press my nose to skin in order to get a sniff either.

The french vanilla is a tad boozy, making the berries seem to lean to an almost wine-like scent but without the bitterness you can sometimes get with wine.  This perfume is very feminine, slightly girly even, and just super sweet.

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I really am becoming quite smitten with Siberie Perfumes!

Keep an eye out on my blog for a Siberie and Sweet Potion Perfume giveaway in the coming weeks!  Click the Follow button on the side bar to get e-mail notifications of posts!

Siberie Perfumes – Samples

I am stoked to bring you a new (to me) perfume house – Siberie Perfumes!  This company has been on my radar for a while, but I hadn’t yet taken the plunge into purchasing from this company due to … who knows why really.  Probably something shiny caught my attention.  However, the lovely owner was kind enough to send me some stuff to sample!  These were not purchased by me.  I cheated and had a sneak sniff at some of the bottles (yes!  bottles!) I’ll be reviewing later this week.  Let me just say, I’m even more excited!

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photo by smellallthethings

Odette – Enchanting notes of sweet wildflower honey & delicate honeysuckle flowers hugged in a sensual & soft base of tranquil fresh fallen rain & jasmine sambac.

You can see from the picture that these are not the “typical” 1ml sample vials you see most places.  This is a larger 2ml vial with a smaller neck area but a long enough wand that you can reach all that precious liquid!  It is a little harder to open than the 1ml’s or the larger necked 2ml’s.

In the vial this actually smells like it has vanilla in it – so much so I had to triple check the notes.  I think it might be a combo of the rain and the wildflower honey.  On my skin this is actually creamy in a way – more like raw honey.  The jasmine is heady and fragrant as is that golden honeysuckle.  The rain is adding a touch of a dewy-like freshness to the blend.

The throw on this is not overpowering, but I imagine were I to walk outside in this 100 degree + 90% humidity we have it would become too much.  I think this would be the perfect pre-spring scent – when you can’t wait for spring to come and you just want that golden sunshine to reflect off of anything other than the snow-turned-grey.  (You can take the girl out of Winter, but you can’t take the Winter out of the girl … or something like that.)

I can’t lie … I’m kind of in love with this scent.  There’s something about it that just makes me think of new beginnings and fresh starts and sometimes you need to inhale the thought to solidify it in your mind.  (Laugh now, but you’ll be thinking about it seriously later.)

After a while I still get a good sweet and golden throw from this, but the scent isn’t prominent on my skin.  That’s kind of neat!  Sometimes I don’t really want to go around constantly lifting my wrist to my nose.  I’ve gotten more than my fair share of odd looks from doing that.

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Serena – A bewitching blend of woodsy & earthy bohemian patchouli with notes of decadent chocolate & a sensuous warm amber base.

In the vial this is super patchouli and chocolate.  Lots of chocolate.  Melty, gooey, milk chocolate that never quite comes off your hands no matter how much you lick them.  I mean wash them.  I would never lick my hands free of chocolate.  Yeah, never.

The patchouli is gritty and very earthy, as the notes mention.  It takes a while, but the chocolate is starting to smooth out into a memory instead of covering you.  After about 010 minutes I can finally smell the amber, warm and golden under the patchouli and bits of chocolate still clinging to my skin.

You wouldn’t know it, but this is not actually a blend I like.  Not because it’s not good, but because it’s just not my jam.  I don’t enjoy wearing chocolate I can’t eat.

However, if you enjoy patchouli, chocolate, and amber – definitely give this a try!  It has a good throw, not overwhelming but I get more chocolate scent from the throw than from what’s on my skin.

So while the first half hour isn’t really my thing, it’s now kind of really intriguing.  It’s more woody than it was at first and the chocolate is almost all gone.  There’s something verging on the edge of being spicy.  Another decent throw as well.

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Emmeline – fresh notes of green tea, Moroccan mint, romantic petals of white orchid and freesia all balanced by fruity notes of juicy pear and apple.

I had to make an emergency run to the store (we needed more supplies to make carnitas, obviously) and I put this on just before leaving about an hour ago.

In the beginning this was all tea and somewhat sharp mint with the lovely orchid and freesia but none of that apple or pear.  After about 5 of so minutes (long enough in the heat to convince my daughter she should climb into her seat and then further convince her its in her best interest to buckle up and stay buckled) the apple came out.  I’m not sure if the pear was so entwined in the apple, or if I missed it.

For a while this was wafting up nicely, juicy and sweet, softly floral with just a hint of greenness from the tea and mint … and then it disappeared.  I get a faint memory of pear when I sniff the spot, but other than that it’s just gone.

Now it could’ve had something to do with it being crazy hot and humid out, but that’s what it is here and I need my scents to last through those conditions sometimes.  Maybe I’ll set it back and try it when it’s cooler – late fall or early spring.

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Angelica – Night blooming violets,wild orchids, southern magnolias, hyacinth & oriental jasmine hugged with sweet vanilla & wildflower honey. It finishes off in a sexy base of rum, sandalwood, myrrh & labdanum resins.

In the vial this is vanilla and violets – soft and fluttering and sweet.  On my skin the flowers bloom and there is a creaminess to the whole blend.

Admittedly, this was nearly overwhelming for about … 2 minutes.  After that, it really morphed and became an almost sultry scent.  It is very alluring.  The labdanum is fog-like, lending a hazy blanket over everything.  The myrrh and sandalwood with that touch of rum is very grounding.

Nearly 20 minutes later most of the florals are more in the distance, though they waft through every now and then, and I am left with a sweet, woody, and gossamer scent.  It’s dark, not like a white fluffy scent, but more like incense smoke, dark and twisting.

There’s not too much throw on this, but I do get lovely wafts as I move my arm around

Sixteen92 – Fall 2016 Samples

As if a Halloween release tease isn’t enough, I also bring Sixteen92‘s Fall release samples!

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photo by smellallthethings

I think everyone remembers the witch trials, especially if you read The Crucible in school.  Some delved in deeper, I’m sure.  Unfortunately growing up Catholic, this sort of thing was highly glossed over.  I think I have a new personal goal to learn more about the witch trials.

Starting with Bridget Bishop (link to wikipedia) I’ve learned she was the first person to be executed for being a witch.  Her perfume notes are – Night-blooming flowers, belladonna, bergamot peel, resinous oudh, nutmeg, ambroxan, and scarlet musk.

This is one of the premium fragrances.  In the vial this is all heady florals, still warm from the heat of the day.  On my skin I get a little funkiness from the oudh before it smooths out.  There is a hint of bitter greenness from the belladonna and the bergamot adds its touch of spiciness.  I’m not really getting any nutmeg.

Looking up ambroxan I found out it is a synthetic representation of ambergris which explains that sort of salty aquatic feel I’m getting.

The throw on this is gorgeous and the florals are deep and heady, almost like hot-house florals in their intensity.  This blend is not shy.  It is strong, almost commanding, and not for the faint of heart.

Unfortunately, about 30 min into the drydown I ended up having a sneezing fit and had to wash it off and take a few minutes to sniff some coffee and reset myself – which is disappointing because I was really, really liking this blend.

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Cotton Mather is a rather well known figure from the Salem Witch Trials.  He was a very vocal supporter of the trials as well as an author of numerous publications regarding the trials, demons, witches, and the like.  His perfume contains notes of blackened patchouli, woodland mosses, sweet herbs, dried helichrysum, woodsmoke, lamplight, ink, ash, and flame.

Fire and brimstone would not be a wholly inaccurate way to describe this scent.  There is a lot of smoke and charred woods in the vial.  On my skin the patchouli is dirty, sooty and dark while the woodsmoke and ash cling to everything while a fire burns in the distance.  This is not a soft nor gentle scent.

It feels dangerously dark, yet almost alluring.  I find myself catching hints of smoke and fire and following it down to sniff at my wrist.  The moss is dark and ashy.  To be fair, there is the feeling of a fine layer of ash over the whole scent.  You catch a bit of the oil burning for the lamplight, yet it mixes in with the flame as well.  There is a touch of a hay-like scent as well, as though there are stables not far away.

This blend leans heavily masculine and I believe it has more throw than it’s showing me.  I have a feeling others would get a sense of it and maybe even steer clear without really understanding why.

So about an hour or so later and I was right about the throw.  It’s now wafting about as strong as a … (don’t hate me) Hollister store.  Not the same scent!  Just the strength!  This is actually extremely wearable.  The wet stage is a touch overwhelming, but dry this is really quite something.  Very much in the cologne territory, but not horribly so.  It reminds me of something that I can’t quite put my finger on.  And it’s turning out to be another one that I can’t stop smelling.

After about 2 hours the scent on my skin is fading, but the throw isn’t!  Well, kind of.  It’s no longer at Hollister-strength (really, please don’t hate me).

While after oh … 6 hours or so the throw isn’t much there, I still get nice whiffs when I wave the spot towards my nose.  Also, the scent is still very much there on my skin, though much faded.

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Mercy Lewis became caught up in the hysteria that began surrounding the witch trials.  Not only was she accused of being a witch, but she had accused others as well.  Her perfume notes are heliotrope, honeyed tea, rosehips, sugared almond, creamy sandalwood, and milky vanilla.

In the vial I get an unmistakable creamy, almost an almond cookie dough type scent and it’s really quite delicious.  On my skin this is all about that smooth and creamy sandalwood supported with a soft and delicate vanilla.  I get a touch of the almond, almost more like a marzipan than a whole almond.  The rosehips and heliotrope are gorgeous and silky soft.

Overall this is a very … naive scent.  It is innocence and ignorance and just trying to survive.

For as light as this scent is, I do get a faint throw from the florals.  They are pinkish white and the tea is more tasted than smelled.  I truly adore this scent for how utterly girlish it is.

After a few hours this has become a sweetly soft honey with a small hint of tea.  It’s now a very close skin scent, clean and very nice.

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Sarah Good was found guilty of witchcraft, likely erroneously, because two young girls pointed fingers at her.  Her perfume notes are charred maple leaves, black pitch, fresh-baked bread, dried black tea leaves, sweet orange, and chimney smoke.

The first thing I smell out of the vial is bread and strong black tea.  On my skin the charred maple leaves overtake and I get a strong sense of burning bread and ashes.  The black pitch is pine-like and very thick tar while the orange attempts to add something bright into the mix.

Another blend with another good throw, I’m gobsmacked, truly, by how many of these lately have a good throw.  This blend leans unisex, and thankfully, like Cotton Mather, the “smoke” aspect isn’t overwhelming and floats off to the distance as it dries.

I am yet again drawn to the spot on my wrist to huff happily.  This is a very woodsy almost cabin-like scent.  Very gorgeous and soft.

Three hours after, I still get a sense of bread and something verging on being a spice, perhaps the dried black tea leaves.  It’s not a yeasty bread at all, very nice and soft.

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Tituba, who was accused along with Sarah Good, was a slave and was also the first to confess to witchcraft.  Her perfume contains hawthorn, gingerbread biscuits, tobacco leaf, burning resins, rye, sweet woods, and beeswax candles.

In the vial I get a strong tobacco scent along with a creamy beeswax.  On my skin the beeswax is sweetened somehow, perhaps by the woods, and the resins are sticky and not yet burning.  I don’t get much rye or gingerbread from this, though the hawthorn is there, it is adding a touch of greenness.

This blend is sweet and homey – as though you are standing in someone’s kitchen that they love, care for, and enjoy thoroughly.  I really get a sense of love, and home, and all things that make you feel as though you are in a warm embrace.  If Tituba truly was a witch, I do not believe she was evil.

While this blend doesn’t have a huge throw, it is beautiful and long lasting on my skin.

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I think the fall release, more so than the Halloween release, will doom me.  I believe the only one I haven’t fallen fore is Bridget Bishop, and that’s only because I couldn’t stop sneezing.

And if you, like others, are wondering when these lovely’s will be released, there is a time table!  Per Claire:

“The season of RELEASE ALL THE THINGS” has begun!

Just posting a quick overview of all of the upcoming releases, since there’s a lot to keep track of:

AUGUST:

Bath & Body (whipped soaps, scrubs) will launch very soon — expect an email from us in the next day or two with details and official release date. Soon, very soon.

Fall will happen at the very end of August this year, instead of early September. If you’re a Circle member expect your pre-sale access link to land in your inboxes within the next 2 weeks.

Fall/Winter bath & body will launch with the fall collection (which means Toasted Marshmallow is returning along with some other favorites and new offerings)

SEPTEMBER:

Fall part 2 will launch with the Halloween collection in late September this year. Last year Halloween ran Oct 1-31 but we are pushing everything up by just a bit this year, due to the busy season. We will also have a Halloween mini bath & body collection like last year.

OCTOBER:

Fall LE time! Details TBA, it’s a secret 😉

And that should take us through the winter release and into Black Friday

Sixteen92 – Halloween 2016 Samples

Sixteen92‘s subscription, The Circle, has got to be the best thing since … sample packs!  I love this little bit of “sneak peek” I, and others, get!

I also got the Fall samples in this pack, but I’ve been itching for Halloween scents so I’m doing the Halloween reviews first.

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photo by smellallthethings

The Bell Witch with sweet cider barrels, orchard wood, blond tobacco leaf, cave and forest moss, glowing pumpkin, dry leaves, and turned earth is up first and I don’t think I can properly convey just how excited I am to try these scents.  I think this is the first time where every description pulls at me.

In the vial I get a definite spiced apple scent, likely from the cider barrels.  On my skin this just blossoms and opens up and without even sniffing my skin I can smell the soft flesh of the pumpkin, dry leaves crunching under foot, a hint of tobacco, and the soft velveteen texture of the moss.

What I’m saying is this baby has some throw on it and I’m in love.  You get it all in here, every nuanced aspect of this blend is perfectly represented and comes together to form the most accurate representation of a crisp fall day that I’ve ever had the pleasure of smelling.

This blend seems to lean a little masculine as it dries, giving it a cologne type feel to it, likely from the earth and moss, but it’s not something that will deter me from wearing it.  I want to bathe in this scent.

With the amount of throw on this blend, I do find it somewhat overwhelming to sniff directly on my skin and I much prefer the scent I get as it wafts as opposed to the spicier version on my skin.  After about an hour the scent against the skin isn’t so overwhelming and is just as gorgeous as the scent that wafts up to me still.

You would think after a few hours I’d have nothing to add to this, but alas, that is not true.  Not only is this scent still giving a decent throw, and still beautiful, it seems that now I’m getting more apple, as though a glass of cider was poured and they cut up a fresh apple to mix into it.  Magic.  Pure and simple.

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Borley Rectory has notes of Italian Bergamot, cocao pod, smoked black tea, decayed woods, faded parchment, shadowy musk.

In the vial I get musk and bergamot with a strong helping of black tea.  This is another blend that, quite literally, blossoms on the skin immediately.  The bergamot is beautiful, and it’s a note that is becoming a fast favorite of mine and I’ve been seeking it out lately.  The tea has somewhat backed down to a half drunk cup instead of a full blown pot.  The parchment is well worn, touched and used, and has oil from skin along the edges.

That shadowy musk though, that is what makes this blend.  I don’t get much cocao pod, or if I do it’s blended and so light that I can’t pick it out.  However, that musk is almost sinister and it combines with the smokiness of the black tea and the heat of woods that this is just a dark and almost foreboding scent.

I did notice there are flecks of cocao in the vial, so I’m sure that’s in there, but I can’t pick it out, which is fine.  Also this is leaning masculine as well, but I still love it.

There is a throw to this, though not as prominent as The Bell Witch was, but it still wafts up gently.  It’s longevity is really awesome as well.

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The Island of the Dolls contains notes of Mexican vanilla, dry bergamot, somber rose, dark chocolate, black plum, dense woods, and porcelain musk.  If you’ve ever seen a documentary on this place, it’s super creepy.

There is a deep chocolate scent in the vial as well as on my skin.  At first that’s about all I can smell (which is why I don’t wear chocolate – it overwhelms everything else on me).  After a few minutes I get some of that slightly spicy dry bergamot.  I’ve concluded dry is not how I like my bergamot.  The rose is also coming across as being a dried rose instead of fresh.

I’m having a hard time smelling around the chocolate.  Thankfully after letting it sit for about 20 minutes or so, most of the chocolate scent is gone.  Now I am getting a sense of that dark plum and some deep dark woods.  The porcelain musk is soft and powdery.

Unfortunately, this one does not have a good throw on me and I have to really sniff the spot to get a good sense of the blend.  It is nice once dried, again leaning masculine, but I don’t think its for me, especially because of the chocolate.  That’s just not my thing.

Man, after about an hour I adore the scent I’m getting from this.  I just wish I didn’t have that issue with the chocolate!  Because what’s left is woodsy and slightly sweet, soft and almost alluring.

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Myrtles Plantation‘s notes consist of oleander leaf and bloom, labdanum, white sage, fig leaf, blood orange, and suede musk.

This seems to be the brightest of the bunch with blood orange taking the lead in the vial with a touch of oleander.  On my skin the suede musk immediately asserts itself and lays out as a soft smooth base, brown and almost fuzzy.  You really get a hint of greenness from the fig leaf, and the sage is very apparent.  The blood orange is now, almost completely gone or pushed out of the way by the other scents.

There is something almost bitter in this blend.  I’m afraid sage has taken another blend from under me.  My skin reacts poorly to sage.  Which makes me sad because I love labdanum and wanted so much to like this blend!

Well into the dry down the sage is no longer bitter, thankfully, and the labdanum gets to come out and do it’s narcotic dance.  This is soft and more brown than green, and very close to the skin.

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Lastly we have Waverly Hills whose notes are listed as dense fern, frost, wild moss, raw honey & propolis vegan, black labdanum, overgrown vines, late blooming Southern florals, and spectral musk.

In the vial the ferns feel crushed and give off that unique green scent and its almost overpowering.  On my skin that sharp greenness is still there, but the other notes are attempting to temper it.

After about 10 minutes the sharpness of the fern has subsided and I’m left with this unmistakable garden – soft florals and sweet greens with a hint of that labdanum and a touch of honey.  That spectral musk acts like fog, and the frost helps to enhance that feeling.  This is early pre-dawn in a slightly overgrown garden when the fog has rolled in and created this gorgeous, slightly spooky, scene.

The throw on this isn’t huge, but I do get it wafting up to me on occasion.  Being even more Southern than Kentucky, I really appreciate and understand the late blooming florals.  They are showcased here beautifully.  (I still have a magnolia tree in my backyard that throws out a new bloom about once a week.)

I get a very ethreal feel about this blend, and I think this, minus the sharp fern scent, would be best as an EDP.

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For me, personally, The Bell Witch and Borley Rectory have stolen my Halloween loving heart!  Both of these I could slather in every format offered and still want more.

Conjure Oils – Starman + GC Reviews

If you are anything like me, looking at Conjure Oils‘ website makes your head spin (and maybe strains the eyes a bit).  But I powered through (and even got a few decants of Starman from Ajevie), and found a set of samples I wanted to try.  I’ve always heard great things about Conjure Oils so I’ve been quite curious for a while.

My only complaint, so far, is the wax.  I’ve already broken a nail trying to get enough off to be able to open the vial.  Rocking the top seems to help, but then I noticed there’s oil under the wax so I’m worried that it will leak now that the wax is off.

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photo by smellallthethings

Starting with the Starman scents, which were a tribute to the late and beautiful David Bowie, I have Anisocoria.  That is the medical term for the condition of his eye which was permanently dilated.  It’s notes are listed as Dried tobacco, willow, Parma violet, Egyptian Sandalwood, aged oak, blood cedar, marionberry and persimmon.

In the vial I get a lovely soft violet with a hint of oak and something watery.  On my skin the tobacco comes out and is brown yet slightly brittle.  The sandalwood is freshly harvested and still alive, yet fragrant enough to give off scent.  I get a bit of sweetness from the marionberry and persimmon, but nothing overwhelming and it does well to enhance the blend rather than detract.

This dries into a very soft floral scent with a touch of berry-like sweetness.  The oak, cedar, and sandalwood give a fragrant base for the sweet florals to rest upon.  I get a very feminine feel from this blend, but not old-lady type feminine, more a modern feminine with an edge of something … different.  I really like it much more than I thought I would when I first put it on.  It’s developed into a beautiful fragrance and while the throw isn’t huge, I do get the occasional hint waft up to me.

Longevity wise, this particular blend is wonderful.  I’m going on about 3 hours now and it’s showing no signs of fading.

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The other Starman scent I chose is China Girl with notes of: Obsessions and moodiness are balanced by night blooming jasmine tea, China musk, notes of rain beating loud as thunder, yuzu, hinoki, rose geranium, clary sage, osmanthus and tender bamboo leaves with Neptune influenced gem and flower essences of Labradorite and Grass Widow.

I may or may not have China Girl and Major Tom memorized. And shame on you if you don’t!  (Kidding)

Jasmine is a loved note of mine, and somehow with the tea it’s just beautiful.  I also get a touch of bamboo and rain from the vial.  On my skin the China musk is very apparent, though soft and slightly powdery.  There is no mistaking this for anything other than a deeply Oriental perfume, soft, floral, and flowing.  While still slightly wet the throw on this blend is crazy.  It is not a shy blend for sure.

Unfortunately, as this has dried it has become something of a soapy scent.  Not a bad one, rather a very nice Oriental floral type soap scent that I wouldn’t mind having in my guest bathroom (or even my own).  But it’s not particularly something I like wearing on my skin.  Also, the throw is massive and it’s a tad overwhelming.

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Samia is part of the Conjure Caravan and contains notes of: playful and flirty lilac and sassy dianthus bask in the sensual glow of golden sandalwood, white opium and amber.

This is the vial that began leaking as soon as I removed some of the wax and honestly, the scent that transferred to my fingers is awesome and I want to put some on.  The vials for the general collection (I guess that’s what it is, hard to tell) are about 1.5 ml’s but only filled about 1ml.

Sniffing the vial I get this intoxicating scent of opium, amber, and sandalwood.  No wonder I was drawn to this blend!  I love opium.  On my skin I get those gorgeous florals as they float and flutter around the base.  This isn’t a dark blend, far from it.  It’s light and gossamer.

I could really see myself using this as a sleep blend.  It has that drowsy quality to it and almost smells like something out of a dream.  I’m kind of sad though, that the longevity on this one is somewhat lacking.  Though, for a sleep blend I suppose having it only last a few hours is okay.

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Venomenon, which is fun to say, contains notes of: Sugared Victorian tea rose, candied violet petals and sweet pink strawberry tea with cream obscure a dark heart of subtle red peppercorn and blackest amber.

It appears I bought these while I was on a violet kick. In the vial I get creamy violets with a hint of something darker, likely the black amber.

The violets are soft, powdery, and not really candied to me.  I’m not getting any strawberry really, but a bit of a sweet cream with tea.  The peppercorn is adding just a touch of spiciness while the amber gives a sense of a darker tea and has a hint of resin in it.

This blend doesn’t particularly call to me as I seem to be over my violet stage, but I can’t deny it’s beautiful and soft.  Definately Victorian in feel and extremely feminine.  It almost feels … chaste, if that feeling can be brought out in a scent.  The throw on this is very good and wafts up around me nicely.

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Guardian Angel proves I have some foresight!  It’s notes are: Thirteen vanillas, butter cream, angel food cake and layers of heavenly coconut cream – and that is what I’ve been craving lately (though minus coconut but we’ll see how that goes).

CAKE!  Glorious, sweet, and slightly spongy cake!  You CAN have your cake with 0 calories!  This is a gorgeous spongy angel food cake heavy on vanilla with a dollop of sugary cream that in no way gives me that coconut I so dislike (and so dislikes me).  There’s nothing here to detract – no spices, no berries, no flowers.  This is straight up midnight feasting guiltily on as much cake as you can grab before someone wakes up and hears you.  Only there’s no real need to worry see.  They can search that kitchen top to bottom and not find that cake they swear you had because it’s perfume!

I only have one real complaint … I wish there was more throw to this.  I know, it’s vanilla and cake and making that have a throw can be hard, but a girl can wish, right?  Luckily the longevity is nice.  I got about 4 hours before I felt the need to slather on some more.

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The Dark Mother sounds perfectly dashing with notes of: white narcissus, black orchid, aged neroli, Indian patchouli, red roses, the darkest of sandalwoods and the blood of the heart of an innocent, er, I mean bloodroot.

In the vial I get the most glorious of dark woods, likely the patchouli, sandalwood, and perhaps bloodroot.  I love narcissus for the almost narcotic quality it adds.  The orchid is dark and lovely, soft and velvety while adding it’s beautiful fragrance.  I get roses, and they are heady and full in bloom, but they don’t overwhelm the other florals in the blend like they sometimes can do.  Neroli is hugged against that narcissus and giving it a little bit of a kick.

This isn’t quite that dirty and gritty patchouli, but it sure isn’t a softie either.  This patch is dark, yet smooth, sleek, and refined.  It does a lot to enhance and add to the dark sandalwood.  There’s almost a smoky quality to the blend, but it’s not smoky at all.

You get a true sense of something dark yet beautiful with this blend.  The throw is fairly good, but isn’t overwhelming – it floats like a feather on the wind to tickle your nose instead of punching you in it like some roses can do to me.

Every now and then I find a blend that draws my wrist to my nose and I find myself almost unconsciously huffing.  This blend has done that.  I can’t stop smelling it!

The longevity on this blend is to die for as well.  Working on about 3 hours now and it’s still softly wafting about.  It’s smoothed out a lot but not lost any of what I love about it.

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Wolf Moon (February) is said to be A fragrance fit for the young love of Lupercalia – Ethiopian frankincense, violet, bay laurel and a soft heart of Indian sandalwood.

Wolf Moon in the vial is, to put it bluntly, simply overwhelming and hit me with a blast of violet and bay laurel.  Enough so that I jerked back and almost dropped the vial!  Oops!  Maybe that’ll teach me not to take a smaller test sniff first.

On my skin this is mostly violets with a touch of bay laurel.  I’m not getting any sandalwood or frankincense.  Unfortunately it seems this blend is not going to give anything other than violets and bay laurel.  I would’ve loved some resins or smokiness from the frankincense and that smooth wood from sandalwood and I think it would’ve helped the blend, but it’s just not working on my skin for some reason.

Win some, lose some.

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The Shadowy Shawl has some intriguing notes: sweet patchouli, amber incense, ginger musk, moonflowers and black sandalwood.

In the vial I was greeted with the soft gossamer sweetness of moonflowers with a backdrop of dusky sandalwood.  On my skin the patchouli comes out and combines with the resinous amber.  There’s a definite ginger undertone, but nothing strong, just enough to give it a bit of oomph.

This blend is quite enjoyable, almost cozy, and makes me smile to myself.  There is a definite sweetness about it without there being anything sugary or vanilla-like.  I love how smooth the patchouli is.  Shadowy Shawl is an apt name for this blend.

There is not much of a throw to this as it stays fairly close to the skin.  It’s very dusky and comforting and the longer it wears the more I sniff it and find another aspect I enjoy.

I think this blend is all about that unique ginger musk!  It’s very different.  The longevity is on par with most of the other blends so far, though it has a very low throw.

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Rounding out this set of reviews I have The Befuddling Fan with notes of: white opium, ginger lily, Eastern temple sandalwood and a gentle haze of violet fog.

Just looking at the notes I wonder how this will relate to Samia.  Another blend that is heavy violets in the vial.

Wet on my skin it is still heavily violets and I’m not getting any of that beautiful opium, lily, or sandalwood.  Even after this has dried on my skin I’m not getting anything other than the violets.

Even as this dried down and I wore it for a few hours I, sadly, did not get anything other than those violets.  Mind you, they were nice violets – soft, velvety, and slightly powdery – but it was not the full spectrum of the perfume.

Overall I’m enjoying Conjure Oils and I look forward to exploring more of the catalog in the future!  I definitely plan on getting  at least a bottle of The Dark Mother, if not Guardian Angel and Samia as well.  And of course, no order is complete without a few samples to ride along!

Nocturne Alchemy – July Limited Collection

Nocturne Alchemy recently released it’s NAValloween in July along with more Dinosaur blends!  I received my bottles over a week ago and they’ve had plenty of time to relax from their travels.

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photo by smellallthethings

WerewolfTahitian Spiced Vanilla, aged Apple cider, Wood notes of Cedar, Pine, Oak, Redwood and Teak, Leather accord and Oudh extract.

Pure spice in the bottle, but as it hits my skin I get a hint of apple cider.  I get a familiar tingle on my skin from cinnamon, so though it’s not listed it (or something else that can irritate skin) is in this blend.  There’s something that is reading as “cardboard cookie” on my skin and I’m not entirely sure what it could be.  Teak maybe?  Oak?  I’m sure it’s one of the wood notes.  This blend is heavy, lots of deep notes in it.  I’m not particularly enjoying the wet/drydown phase of this blend.  It’s … too much.  All the notes seem to be screaming for attention at once.

It’s now twenty minutes later and I still feel slightly overwhelmed by this blend.  I absolutely adore the spiced vanilla + apple cider combo and kind of wish it had been left at that with maybe just one wood.  I get absolutely no leather from this blend, and I adore NAVA’s leathers.

Overall I think this blend needs more time to age, but I’m not sure if that will intensify the wood notes or smooth them out.  I do hope they smooth out as that would be lovely.  I can smell the potential for a glorious blend in there, but I think it’s too fresh to really do itself justice.

There it is … about 30 min – 45 min into the drydown and I am greeted with a glorious cozy scent that makes me want to snuggle with myself.  It has become sweet, slightly spiced, and just downright fuzzy.  You get a sense of something animalistic in there and I’m finally getting that comforting soft and supple leather, which is wonderful.  I know my knee-jerk reaction was to scrub it, but I’m glad I gave this a chance to keep going.  Hopefully with some age to it that screaming phase will go away and I can enjoy the blend as I believe it was meant to be enjoyed.

Hours later and each time I put my chin in my hand I get a whiff of this and it’s almost eye-rolling gorgeous.  Such a transformation from wet-stage to complete dry down.  Is the wet stage worth wading through?  Maybe.  I’ll see what a little age does and hopefully it’ll make it all worthwhile.


MummyEnglish Bergamot and Earl Grey Tea, Redwood Absolute, Amber Resin, Papyrus extract, ICON: Leviathan Amber-Oudh, Australian Black Tea leaf, Pear essence, SL Crimson absolute and Baltic Teak.

In the bottle I get a lovely bergamot tea scent with a touch of amber.  On my skin is much of the same but with a hint of spiciness from that bergamot.  The amber from both the resin and the Leviathan Oudh is gorgeous and deeply orange with a hint of that familiar powdery amber.  The pear isn’t apparent, though it’s likely adding just a touch of sweetness to the blend.  The crimson is musky and deeply red and as it dries the papyrus begins to come out and give an almost brittle feel.

I was honestly expecting something a bit more … dusty, moldering, and old.  Instead what I’m getting is more along the lines of their Egyptology release.  I get the impression of prim and proper Englishmen sitting around a recently opened crypt sipping tea and being fanned in an attempt to beat the harsh Egyptian heat.  Eventually that image fades and it begins to give an impression that I was hoping for – the inside of a crypt, objects, smells, and things that had not been touched or viewed for hundreds of years.

You do get a sense of something old and possibly ancient.  Something a bit mysterious.

There is a good amount of throw to this blend and I can smell it wafting up to my nose which is nice.  Also, the longevity on this is pretty awesome.  Hitting 2+ hours and no sign of slowing.  Bonus points for lasting through a hand washing.


VelociraptorResinous Amber Accord, Limestone Amber, Black Musk Absolute, Black Amber and a drop of aged viscous Velociraptor Kashmir red musk.

NAVA makes my absolute favorite scent – Kashmir red musk.  If I could only smell like one thing for the rest of my life, Kashmir would be it.

With that being said, I get a lovely whiff of my beloved Kashmir out of the bottle.  On my skin that Kashmir mixes with the deeper and darker black musk.  This is not a light blend, it is shaded, veiled, and shadowy.  With this much musk it seems to be going a bit on the powdery side.  It’s a fuzzy powder, if that makes any kind of sense.

The ambers are there giving a resinous undertone, but this blend seems to be all about those musks.

It is recommended to “hatch” your dino’s with another NAVA blend.  I won’t be doing that right now as I want to get a feel for the blend on its own, but I’m already plotting a bit of Tibetian Crystalline to go along with this.  I think the Nag Champa + Vanilla would go a long way to giving this some depth and cutting some of the powdery feel from the blend.

I like that despite this being heavy, the throw isn’t overwhelming.  It is a soft, gentle throw and as I move my hand I can smell it.  The longer it dries the more gentle it becomes.


ProtoceratopsResinous Amber Accord, Limestone Amber, Crystalline, Kobalt, Crystal Absolute, Vanilla Cream, Vanilla Ice Cream Accord, Vanilla Caramel, Bastet Amber and Egyptian Sugar accord.

This is the outlier of the bunch and completely different from any of the blends I’ve tried today.

In the bottle I get a creamy vanilla scent that isn’t quite gourmand, but you can tell it wants to push over that edge.  On my skin I get this beautiful sugar accord.  It’s almost like putting a sugar cube in your mouth.  I also get the Crystalline, Kobalt and Crystal vanilla wafting around in there.  (I have smelled/owned each of those and believe it or not there are differences between the three, though sometimes subtle.  I prefer Crystalline typically and it’s in most of my favorite blends.)

Now, I’m sure ya’ll can guess how amazing this smells, but truly it is gorgeous.  It’s creamy, sweet, with a hint of resin and this sugary note that rounds it all out.

If you are into NAVA and you haven’t had an opportunity yet to try Bastet Amber (while listed as a note, it is actually found here as a blend all its own) you really should.  This blend is different from anything else I’ve ever experienced before.  Some people get absolutely no scent from it, some get some vague soapish scent (that’s me) and others are slightly put-off by it.  But you’re not supposed to actually smell the spot you placed it on.  You are supposed to apply it and forget it and let this blend do it’s thing, which is to waft up and greet you.  It’s a softly sweet and resinous amber, simple yet beautiful, and in this blend you get that.  I could see layering this with more Bastet Amber to enhance that effect or perhaps a bit of another Vanilla.  Or, if you’re lucky and got a sample of Bastet’s Ice Cream accord, maybe a touch of that.

The throw on this is soft, but it has its moments.


Overall, I found that once Werewolf sat it was definitely worth waiting for, and having it waft around with Mummy is something quite wonderful.

While on my other hand, the dino’s are opposites and I prefer each for what they are separately.

Love Potion Perfumes – Sample Reviews

I ran across mention of Love Potion Perfumes in a forum for another company and even there, they seemed to have some die-hard fans.  So, of course, I had to try it out!  I have to confess I’ve been sitting on these samples for a few months now, though I had tested one shortly after it had arrived and loved it.  With perfume, I seem to have a problem keeping attention on something and end up chasing shiny things instead of focusing on what I have.  Shame on me!

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photo by smellallthethings

As you can see, these come in the 2ml sizes and I was given two 1ml’s free with my order!  They appear to be like single notes, so that’s cool.

And if you want, for added oomph to your magical blend, you can add pheromones to, I believe, any blend.

Cocked & LoadedA manly-man earthy sexy violet heart crafted of violet fragrance oil and violet leaf absolute then rounded out with balsamic amber, powdery oakmoss and two types of smooth golden sandalwood.

Love Potions not only lists the notes, but lists any magical, healing, or historical meanings for the notes used.  Which is kind of cool.  In the vial this smells like violets, but a version that has a soapy quality to it.  On my skin most of the soapiness goes away and I’m left with just … violets.  I’m really not getting anything else out of it at the moment.  Even after letting it dry down the violets are strong but I do get a hint of something like sandalwood and a touch of amber.  No oakmoss, no earthiness, just mostly florals.  Nearly a half hour later I finally get some greenness from the oakmoss.  This is a close to the skin scent with very little throw.


Love Potion: REDVanilla, Amber, Patchouli, Cinnamon, Dark Sugars, Woods, Resins.

In the vial I get a nice bit of resin and wood.  On my skin I get a hint of cinnamon, but nothing overwhelming and it seems to be sitting close to the patchouli.  I get a little bit of a tingly sensation on my skin where I applied, but no burning or anything harsh like that.  This reminds me of walking into those kitschy country stores, but more refined.  I kind of like that smell, a mixture of cinnamon, wood, and vanilla.  The sugar has an almost molasses feel to it, which is comforting.  This to me isn’t an overtly sexy blend, but more of a comforting kitchen blend.  It smells like home, and love, and baking.  Again, this is a scent that stays very close to the skin.  I would love to have this in an oil warmer in my home (and that may be exactly what I do).


Always a LadyA soft bouquet featuring five types of roses, scattered with dewy droplets of sweet strawberry, mango, raspberry and tangerine, all resting upon a base of oak and chypre.

In the vial this is super fruity!  Lots of mango and tangerine with a hint of strawberry.  On my skin that fruit is vying with the roses and it’s causing quite the ruckus on my skin.  Eventually they work it out and it becomes a huge bouquet of roses.  You can smell the dew and greenness with a hint of the oak.  The only prominent fruit now is tangerine and strawberry, the rest sort of hang and add either sweetness or depth to the blend.  The chypre comes and goes as you sniff.  The throw on this blend is much more than the others, but still nothing that would overwhelm.  It’s strong against the skin than it is when it wafts up to you.


Feed the FlowersThe beautiful melancholy of a funereal mood…a hint of smoke in the air, dried dusty flowers and the freshly-turned earth of an open grave…a bouquet of deep dark roses, geranium and stargazer lily mingled with earth, dry leaves and a drop of hay and dusted with mysterious resinous notes of myrrh, sandalwood, storax and benzoin. Finished with woodsmoke, powdery musk and a final kiss of white and powdered sugars.

This was the blend I had tried when they’d first arrived and I remember it being beautiful, earthy, and reminded me a lot of Samhain and all things Autumn.

In the vial I get a scent that is reminiscent of decaying leaves.  On my skin that scent is still there, but on top of it is smoke and crackling twigs under foot.  The dried flowers are hauntingly beautiful and hay graces the floor.  This scent reminds me of an old, forgotten house in the woods whose bouquet on the table is long forgotten and the lace drapes are moth eaten and molding.  Perhaps it was the home of a maiden waiting for her love to return from a war – but he never did and so she waited until they could be together again.  It’s a melancholic scent and I love it.  Another close to the skin scent.  Really wish this one had some throw to it.  Maybe I should put this one in an oil burner too.


Autumn RainDry leaves and wet woods form the heart of our forest, with dewy notes of fern and fresh cut stems, and autumnal accents of apple and hay blended with the ambiance of earth and smoky frankincense.

In the vial this is a deep aquatic with a hint of apple.  On my skin it is much of the same with an added touch of greenness.  Beautiful petrichor scent with the leaves and forest floor.  The apples are green and slightly bitter, the hay which was warmed by the sun is getting wet and is super fragrant.  Once dried the frankincense comes out and wafts around this blend and gives it another dimension.  Somehow this blend is dark, as though the rain has come on the heels of dusk.  Unlike Feed the Flowers, this blend has a bit of a throw to it and wafts beautifully around.


The two free samples are Sugared Geranium and Sugared Bonfire.

Sugared Geranium is a deep and heady floral in the vial but it relaxes on my skin and becomes soft and pink with just a hint of sweetness.

Sugared Bonfire has an almost cotton candy like scent in the vial, but on my skin the wood and smokiness comes out and mixes with the sugar and creates the oddest combination of sweet woodsmoke, or cotton candy flavored in woodsmoke.  It’s not bad, and not off putting really, just very different.