Nocturne Alchemy – July Limited Collection

Nocturne Alchemy recently released it’s NAValloween in July along with more Dinosaur blends!  I received my bottles over a week ago and they’ve had plenty of time to relax from their travels.

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photo by smellallthethings

WerewolfTahitian Spiced Vanilla, aged Apple cider, Wood notes of Cedar, Pine, Oak, Redwood and Teak, Leather accord and Oudh extract.

Pure spice in the bottle, but as it hits my skin I get a hint of apple cider.  I get a familiar tingle on my skin from cinnamon, so though it’s not listed it (or something else that can irritate skin) is in this blend.  There’s something that is reading as “cardboard cookie” on my skin and I’m not entirely sure what it could be.  Teak maybe?  Oak?  I’m sure it’s one of the wood notes.  This blend is heavy, lots of deep notes in it.  I’m not particularly enjoying the wet/drydown phase of this blend.  It’s … too much.  All the notes seem to be screaming for attention at once.

It’s now twenty minutes later and I still feel slightly overwhelmed by this blend.  I absolutely adore the spiced vanilla + apple cider combo and kind of wish it had been left at that with maybe just one wood.  I get absolutely no leather from this blend, and I adore NAVA’s leathers.

Overall I think this blend needs more time to age, but I’m not sure if that will intensify the wood notes or smooth them out.  I do hope they smooth out as that would be lovely.  I can smell the potential for a glorious blend in there, but I think it’s too fresh to really do itself justice.

There it is … about 30 min – 45 min into the drydown and I am greeted with a glorious cozy scent that makes me want to snuggle with myself.  It has become sweet, slightly spiced, and just downright fuzzy.  You get a sense of something animalistic in there and I’m finally getting that comforting soft and supple leather, which is wonderful.  I know my knee-jerk reaction was to scrub it, but I’m glad I gave this a chance to keep going.  Hopefully with some age to it that screaming phase will go away and I can enjoy the blend as I believe it was meant to be enjoyed.

Hours later and each time I put my chin in my hand I get a whiff of this and it’s almost eye-rolling gorgeous.  Such a transformation from wet-stage to complete dry down.  Is the wet stage worth wading through?  Maybe.  I’ll see what a little age does and hopefully it’ll make it all worthwhile.


MummyEnglish Bergamot and Earl Grey Tea, Redwood Absolute, Amber Resin, Papyrus extract, ICON: Leviathan Amber-Oudh, Australian Black Tea leaf, Pear essence, SL Crimson absolute and Baltic Teak.

In the bottle I get a lovely bergamot tea scent with a touch of amber.  On my skin is much of the same but with a hint of spiciness from that bergamot.  The amber from both the resin and the Leviathan Oudh is gorgeous and deeply orange with a hint of that familiar powdery amber.  The pear isn’t apparent, though it’s likely adding just a touch of sweetness to the blend.  The crimson is musky and deeply red and as it dries the papyrus begins to come out and give an almost brittle feel.

I was honestly expecting something a bit more … dusty, moldering, and old.  Instead what I’m getting is more along the lines of their Egyptology release.  I get the impression of prim and proper Englishmen sitting around a recently opened crypt sipping tea and being fanned in an attempt to beat the harsh Egyptian heat.  Eventually that image fades and it begins to give an impression that I was hoping for – the inside of a crypt, objects, smells, and things that had not been touched or viewed for hundreds of years.

You do get a sense of something old and possibly ancient.  Something a bit mysterious.

There is a good amount of throw to this blend and I can smell it wafting up to my nose which is nice.  Also, the longevity on this is pretty awesome.  Hitting 2+ hours and no sign of slowing.  Bonus points for lasting through a hand washing.


VelociraptorResinous Amber Accord, Limestone Amber, Black Musk Absolute, Black Amber and a drop of aged viscous Velociraptor Kashmir red musk.

NAVA makes my absolute favorite scent – Kashmir red musk.  If I could only smell like one thing for the rest of my life, Kashmir would be it.

With that being said, I get a lovely whiff of my beloved Kashmir out of the bottle.  On my skin that Kashmir mixes with the deeper and darker black musk.  This is not a light blend, it is shaded, veiled, and shadowy.  With this much musk it seems to be going a bit on the powdery side.  It’s a fuzzy powder, if that makes any kind of sense.

The ambers are there giving a resinous undertone, but this blend seems to be all about those musks.

It is recommended to “hatch” your dino’s with another NAVA blend.  I won’t be doing that right now as I want to get a feel for the blend on its own, but I’m already plotting a bit of Tibetian Crystalline to go along with this.  I think the Nag Champa + Vanilla would go a long way to giving this some depth and cutting some of the powdery feel from the blend.

I like that despite this being heavy, the throw isn’t overwhelming.  It is a soft, gentle throw and as I move my hand I can smell it.  The longer it dries the more gentle it becomes.


ProtoceratopsResinous Amber Accord, Limestone Amber, Crystalline, Kobalt, Crystal Absolute, Vanilla Cream, Vanilla Ice Cream Accord, Vanilla Caramel, Bastet Amber and Egyptian Sugar accord.

This is the outlier of the bunch and completely different from any of the blends I’ve tried today.

In the bottle I get a creamy vanilla scent that isn’t quite gourmand, but you can tell it wants to push over that edge.  On my skin I get this beautiful sugar accord.  It’s almost like putting a sugar cube in your mouth.  I also get the Crystalline, Kobalt and Crystal vanilla wafting around in there.  (I have smelled/owned each of those and believe it or not there are differences between the three, though sometimes subtle.  I prefer Crystalline typically and it’s in most of my favorite blends.)

Now, I’m sure ya’ll can guess how amazing this smells, but truly it is gorgeous.  It’s creamy, sweet, with a hint of resin and this sugary note that rounds it all out.

If you are into NAVA and you haven’t had an opportunity yet to try Bastet Amber (while listed as a note, it is actually found here as a blend all its own) you really should.  This blend is different from anything else I’ve ever experienced before.  Some people get absolutely no scent from it, some get some vague soapish scent (that’s me) and others are slightly put-off by it.  But you’re not supposed to actually smell the spot you placed it on.  You are supposed to apply it and forget it and let this blend do it’s thing, which is to waft up and greet you.  It’s a softly sweet and resinous amber, simple yet beautiful, and in this blend you get that.  I could see layering this with more Bastet Amber to enhance that effect or perhaps a bit of another Vanilla.  Or, if you’re lucky and got a sample of Bastet’s Ice Cream accord, maybe a touch of that.

The throw on this is soft, but it has its moments.


Overall, I found that once Werewolf sat it was definitely worth waiting for, and having it waft around with Mummy is something quite wonderful.

While on my other hand, the dino’s are opposites and I prefer each for what they are separately.

Possets Perfumaplooza – Part 4

Here we are back again with more Possets loveliness!  If you missed the previous parts here is Part 1, Part 2, and Part 3.

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photo by smellallthethings

Dangerous Oil will open this group of scents with notes of 6 musks from blackest black up through a rare and gorgeous in itself purple/blue musk hybrid. A good jolt of labdenum and an edge of cognac. The heart note is an entire chypre made only for this project and used for no other.  In the vial I get that purple/blue musk and it’s so different and wonderful – you can actually smell the colors.  On my skin the chypre comes out and a touch of the cognac with that lovely floaty labdanum.  I’ve just recently (within the last year) fallen in love with chypre’s.  This blend is not dark, but definitely not light – it’s shadowy.  This floats around and the musks blend so well and the chypre is gorgeous.  I’d expected this to be almost in-your-face strong, but it’s not, it’s almost a skin scent that occasionally wafts up to you.

Next up we have lil-ole’ Betsy with notes of very deep bass notes of patchouli, labdenum, vetiver, and oud   All the spices of Arabia, Africa, and the Orient blended together with a huge shot of the sweetest and most high keyed musk.  Lots of labdanum!  Not that I mind.  In the vial it is all patchouli and vetiver – so much so as to be overwhelming when sniffing.  On my skin those calm down a touch and the spices come out.  This blend when wet morphs as it settles and I get hints and blasts of each note.  The musk is giving a slight bit of sweetness which is tempering the vetiver and patchouli from screaming.  This blend is dark and sultry – very seductive and not shy at all.

Queen of the Night is described by Fabienne as a deeply perfumy blend with a deeply foody core. It is dry and then again there is a dry sweetness to it. In the vial I get a bit of citrus and a flower that goes soapy – though there’s about three that do that to me, I don’t think it’s dragon’s blood but one of the others.  On my skin that soapy scent stays.  I don’t get food at all – not even a little bit.  This is all floral sweetness, soft and gentle.  As it dries the soapy scent floats away and I’m left with clean and gentle floral perfume with just a hint of sweetness.  The citrus was only in the vial apparently.  This is just a beautiful clean scent.

Finally a scent close to my own home in Ohio – Over-the-Rhine!  It is described as spicy, warm, unisex, resinous, oriental.  I’ve been meaning to get this blend since I saw it over a year ago on their website.  However, I have this thing where I get distracted by shiny things.  It happens, okay?  Anyway, in the vial I get a beautiful spicy resinous scent – like spices and frankincense tears.  On my skin there is a touch of wood, maybe oudh, it’s warm and comforting – there is something almost smoky in the quality of it, but not a burning smell.  This feels very classic and high class – as though it would be worn by anyone.  It almost smells … familiar.  Not like it smells like something I know, just that the scent combination has that familiarity to it – just like “oh yeah, I totally know you” even if you don’t.  I am not describing it very well.  So wonderful!  I, of course, must get this – because Ohio won’t be my home much longer.

Possets Perfumapalooza – Part 3

Here we are, back again for more Possets Perfume Perfection!  If you missed them, here are links to Part 1 and Part 2!

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photo by smellallthethings

To start us off with this round of scents we have Dance With Me whose notes consist of: coumarin-laced lavender combines with fizzy pink grapefruit, and it all rests on a bed of white musk.  So exciting a new note!  No idea what coumarin smells like!  (I worked in a doctor’s office, so all I know is the medicine – which has no smell.)  And lavender … let’s see if Possets works for me – I so want to be able to wear it!  In the vial it’s a pretty perfect pink grapefruit!  On my skin it’s much of the same, super happy and uplifting.  The white musk is under it giving it something to rest on.  As the grapefruit calms down into just a hint of that juicy sweet perfection the lavender comes out soft and gentle.  So far none of that sharp nose-hurting smell that I have gotten from other lavender’s.  There is something kind of green wafting around.  Maybe coumarin?  (Need to google!)  Well, that was interesting – and hard to describe but what I read from several sources was that it typically has a tonka-like smell (which for me tends to be brown and fuzzy).  However, it can also have a hay-like association.  Either way Dance With Me is a beautiful scent with lavender that I can wear!  It’s super bright and soft – perfect for summer and dancing with my girls.  The citrus never really goes away, which sometimes can happen.  This scent is so far from anything I would normally pick for myself that I am over the moon happy!  Usually you hear of citrus scents not having much lasting power, but this isn’t the case here.  It’s over an hour later and still going strong!

Next up we have Dies Irae with notes of three BLACK musks, one fog-like musk to disburse the whole, bitter galbanum, smooth hawthorne, the scent of rotting leaves, a small amount of orris, and smoky oude, finally frankincense and black amber. Well talk about opposite end of the spectrum!  In the vial it’s all leaves and orris – and it’s that lovely wet, decomposing leaf smell you can only get from a forest floor.  On my skin that decomposing leaf smell stays (I actually love that smell – but I’m weird so …) but the orris does this cute thing where it plays peek-a-boo.  The musks are there but they aren’t assertive, just keeping things nice and dark so the leaves can rot in peace and the ground can be rejuvenated by the natural process.  To me this is just a big dense forest doing the things that forests do best – death, rebirth, and renewal.  This has a great throw to it and just a wonderful fall-like scent.

Evita Peron, part of the Femme Fatales collection, boasts notes of Egyptian musk, followed by a very unusual leather component which conjures up the scent of violets (!). This is accompanied by a dry white amber, and a kiss of ginger. In the vial this is white amber and … violets!  Fabienne is right about that leather, how cool!  On my skin this is soft, sweet violets with a touch of musk and just a hint of ginger.  It is soft, somewhat sweet, and just classic.  This isn’t a super complex scent, but I can’t stop sniffing the spot on my hand.  It’s just so sweet and comforting, yet it’s also elegant and almost commanding at the same time.

Salome is the last scent for this round and is also part of the Femme Fatales collection.  It’s notes are comprised of Black and African, myrrh, frankincense, cedar, ivory musk, green coffee pulp extract, and a very light light misting of black Mexican vanilla.  In the vial I get green coffee.  This may be seen as blasphemous to some – but I dislike coffee with a passion.  I don’t drink it, I don’t like to smell it, I’m just not a coffee person.  Please take my preferences with a grain of salt.  I will try to be objective, but sometimes you just can’t help what you can’t help.  On my skin, thankfully, the super prominent green coffee note is almost completely gone.  In its wake I am left with beautiful myrrh and resinous frankincense.  The cedar forms a beautiful base while the musk just gently presents itself.  The vanilla isn’t apparent, but I’m sure it’s in there.  This is dark, beguiling, and a little off base.

Possets Perfumapalooza – Part 2

Welcome back for another Perfumapalooza with Possets!  I’m putting another small dent in my rather large collection of samples.  Wee!  If you missed Part 1 it’s right over here.

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photo by smellallthethings

First up is Howl.  It has notes listed as black, red and amber musks wrestle furiously with sandalwood and opium tar resin. There is nothing light, sweet, or gentle about this scent. A burning incense backs it up, black patchouli stands in the forefront.  In the vial it’s burnt opium tar and dark patchouli.  On my skin the musks seem to be fighting each other though the red musk is at the forefront with a base of opium tar.  This is dark and resinous, but it fights with itself – the notes all trying to figure out how they will meld together.  It takes a while but the musks finally come together and take the lead with the rest of the notes hanging out in the back.  It’s a rough scent with nothing soft or frilly about it.  But man, once this dries down this is gorgeous!  It’s incense and woody!  It leans a touch masculine.  Oh man, I honestly wasn’t sure I would like this at all, and for a bit I could take it or leave it, but after it’s sat for about 10 minutes this is just beyond beautiful!

I actually have a bottle of Arrival of the Queen of Sheba, it was my first bottle purchase from Possets.  It has notes of Mysore sandalwood, suede, frankincense, patchouli, 4 vanillas.  This is all vanilla in the vial, but it’s not that super buttery gourmand vanilla, it’s softer and gentler.  On my skin the sandalwood and frankincense comes out with just a touch of the patchouli to tamper a bit of the vanilla.  The suede is soft and touchable (that’s totally a thing ya know).  Overall it has a soft almost fuzzy brown and sweet scent around it.  It’s comforting and cozy.

And, because I have a bottle that has been aged nearly a year, lets see what aged Arrival of the Queen of Sheba smells like shall we?  (The date I put on the lid is July 2015!)  In the bottle the vanilla has an almost boozy quality to it, like one of the vanillas is a bourbon vanilla.  The sandalwood and frankincense is super smooth and the suede is super soft and only a touch fuzzy.  The patchouli has smoothed out as well.  As if fresh isn’t comforting and cozy enough, the aged just keeps going, like sinking into the most luxurious seat imaginable.  However, once both have completely dried down, there’s not too much difference.  Aged is just slightly smoother overall and it starts smooth instead of the somewhat bumpy start the new vial had.

Nocturne is up next with the simple notes of balsam fir and a thick crust of sugar.  So … different.  I get the evergreen scent from the balsam fir and it is truly coated in sugar.  This is so unique!  I went to a museum of natural history yesterday and there was a display of different forests and this reminds me of what the display of coniferous forests smelled like.  Solitary and steadfast are two words that come to mind when I sniff this.  I think this would be a beautiful scent for an oil warmer.  I’d love my house to smell like this.  Unfortunately my skin eats this scent after a few minutes so I think putting this in the oil warmer will be best.

Lady and a Baby Unicorn will round out this batch of reviews and her notes are: using the right type and right amount and right dilution, vetiver (that sultry, earthy, wild, and dominant part) becomes positively docile, sweet, and innocent…almost fruity in the presence of three vanillas (dry, fat, and sweet).  Vetiver and I … we have a love/hate relationship.  Sometimes I love it, sometimes I hate it.  In the vial it smells like … jello?  Ha!  On my skin I still get the jello association.  Eventually it evens out  and I get a touch of earthy sweetness.  This scent is another unique one!  Fabienne sure does know how to do unique scents!

Possets Perfumapalooza – Part 1

I have a huge pile of Possets samples that I’ve purchased straight from Possets, or from Ajevie, and some I acquired via freebies from purchases or swaps from other members of the Indie Perfume community.  It is their time to shine!

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photo by smellallthethings

Zombie is one of the blends I hear so much about!  It’s always described as marshmallow oudh – what’s not to love about that?!  The “official” notes are listed as: toasted marshmallow and oude, a bit of burnt stick, and the unmistakable fragrance of the crisp autumn air.  (There are many different spellings for oudh, oud, oude, and I’m sure there’s more.)  In the vial I get a bit of oudh and a touch of that crisp autumn air.  On my skin it just … wow, it’s so unique!  It’s marshmallow all right, that ooey gooey melted marshmallow that you only get from a stick and a fire.  There’s no burning smell, just this lush woody scent topped with marshmallow.  I get the hype!  It’s very soft overall, however, the longer this sits the more the marshmallow fades to just a hint of sweetness and you’re left with this smooth and fragrant oudh.

I have to admit this next one I’ve tested already as I’ve been eyeing it fiercely for months and I’m happy it made the permanent collection!  That scent is Min-Min (Ghost Lights) and it boasts notes of Sandalwoods, three of them, combined with the rich enticing scent of leather, a strong and classic patchouli. In the vial it’s almost all leather (it’s a cross between new shiny leather and that soft, well-worn leather I prefer).  As it dries the sandalwood comes as does the patchouli.  It’s a warm patchouli, almost golden in its scent.  Despite the notes in this not typically being seen as ethereal, somehow it is just that – floating and ethereal, yet grounded.  As this sits on my skin longer the leather goes from the forefront to somewhere in the back where it just gives hints as to its existence in the blend.  Very beautiful and almost haunting blend.

Jeanne duVal is part of the Femme Fatales 2016 collection with notes of 5 ambers (two golden, one dry, one sweet, and one which is what I call Black Amber), add to that African Musk, a drop of aged sweet patchouli, a nice swath of labdanum, a large part of a very very dry and somewhat woody Bourbon vanilla, a bit of sandalwood, and just the right amount of Haitian vetiver.  I get a nice sweet blast of bourbon vanilla in the vial and … chocolate?  On my skin the vetiver takes over and for some reason there is something reminding me of chocolate.  Or rather, more of a cocoa than a sweet milk chocolate.  The ambers begin to make their appearance which pushes that weird cocoa note further away.  I wonder if one of the ambers is a grey amber because I get just a hint of saltiness.  The bourbon vanilla begins it’s ascent to the top with some of the sandalwood.  I’m not getting a hint of labdanum which usually gives me a floaty feeling in a blend.  This is a very grounded scent … but something is still giving me wafts of cocoa!  So weird!  If it weren’t for the cocoa I think I would really like it!  Huh, it took a while, but the cocoa scent finally went away and now the labdanum has come out with it’s floaty essence.

The Mistress of Power will round out Part 1 of this review with notes of an incense and musk scent, a great oriental. Black, grey, and golden musks at the base, a good part of aged patchouli (which has gone from a thin light yellow to a thick dark brown over the years in the curing cabinet) there is absolutely nothing coy about this blend. Backdrop of a non foody and more brandy-like chocolate liquor, a small amount of clove, all finished off with an ambergris-like musk for a shadow-like staying power.  The scent in the vial is boozy, but that goes away almost as soon as it touches my skin.  Wow the patchouli is strong in this one with a good bit of a golden scent to it.  The incense is strong, but not overwhelming.  This is a resinous and incense blend, not for the faint of heart.  It is commanding and powerful making itself known.  There is a bit of subtle shifting between the notes as they vie for power and dominance.  It takes a while, but eventually they settle into a golden resin and incense blend with just a hint of sweetness.  This actually reminds me of the Lotus Spa I went to on the Outer Banks!  Such a lovely and relaxing place.  But that’s quite the dichotomy isn’t it?

Alkemia Perfume Sample Set

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photo by smellallthethings

I purchased a set of 6 samples from Alkemia Perfume about a week ago.  They shipped quickly and I’ve let them sit for a day to rest after their journey.  This is my first time purchasing from this perfumery and I’m excited to try something completely new to me!

First up is Midnight Garden whose notes consist of: A lunar intoxication of night-flowering white flowers – tuberose (flower of dangerous pleasures), lily (flower of majestic beauty), honeysuckle (flower of binding love), gardenia (flower of secret passions) and moonflower (flower that inspires dreams of love).  This opens with a lovely lush blast of soft and sweet flowers.  However, this isn’t an “in your face” blast, this is a gentle breeze bringing you the scent with a hint of fresh and clean dew.  You can smell each flower individually if you go “hunting” for them, yet they meld seamlessly together at times as well.  I can totally see myself sitting on a concrete bench in a beautiful garden at night and letting the warm summer breeze flit around me while inhaling the intoxicating scent around me.  I’m not normally a floral person, but this has most of my favorite floral notes all in one … and it works!  The longer it sits, the more you can smell the greenery around the flowers to.  It’s a very true-to-life scent in my opinion.

Now, for something completely different … Autumn.  (Notes include: Sun warmed fallen leaves, golden amber, light wool warmed with skin musk.) You can smell the sun as it beats down on the Earth in this blend!  How neat!  The wool has a freshly cleaned scent as though you are hanging your laundry out to dry on one of the last warm nights of the year.  The leaves are golden, dew covered and newly fallen.  This is a skin scent as it stays close.  It is clean smelling, warm, and reminds me very much of that first warm but breezy day when you decide it might just be time to bring out your winter clothes and get them ready.

I ordered Deadly Nightshade because it has most of my favorite notes in it, such as: deep purple violets, dark leather, patchouli, black amber, and a narcotic swirl of opium.  In the vial it’s all leather and violets which makes for a rather unique scent.  The leather is black and sleek.  Once on my skin, it does this weird meld that isn’t gelling totally.  It’s like walking into the leather store at the mall – slapped in the face with leather, and not in the good way.  This may need a bit more time to itself to figure out what it wants to do.  I will set this aside for a week and check on it again later then update this if anything has changed.

Madam X is up next and she touts a note list of: An homage to unsettling, eccentric, irresistable beauty – bergamot, mandarin, dark violet, Italian iris, black orchid, Japanese incense, orris root, sueded musk, white sandalwood, Tahitian vanilla, and pale patchouli. In the vial I get a pleasant Oriental vibe from the oil.  On my skin it goes on close and I’m finding it hard to pick up anything, but what I do get is soft, purple in color, and sweet.  This is a scent that stays close to the skin.  The bergamot and mandarin seem to burn off quite quickly and the patchouli is so, so soft.  Mostly I get violet, orchid and a touch of vanilla.  Almost everything else gets lost.  This might be another blend that needs a bit of time and age to come into its own.

Sol Invictus is a specially aged blend of fine frankincenses drenched with a slightly woody, luminously golden trio of ambers. I adore resins and sometimes they are done best when done simply.  And this is one of those times.  This starts off with a glorious whiff of golden amber. The frankincense comes up and gives it a beautiful resinous boost.  This is simple, beautiful, golden, and perfect.

Finally I have a vial of Vamp whose notes include: a darkly erotic blend of opium, labdanum, Tonka, balsam, sueded leather, and black musk.  This is a dusky scent, shadowed yet soft.  The opium and labdanum give it a gossamer feel while the tonka, leather and musk keep it grounded.  It’s that scent that hides in the shadows and comes out when you least expect it.  I find I’m drawn to sniffing the spot I put it more than I thought I would be.  The scent has snuck up and laid it’s spell on me in the best possible way!

Arcana Soaps – The Prynne Collection 2016

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photo by smellallthethings

I’m so excited to dig into Arcana’s Valentine’s Day Prynne Collection from this year (purchased via The Rhinestone Housewife).

Odalisque is from Part I of The Prynne Collection (notesThick vanilla syrup, golden musk, black musk, kyphi, and spikenard.) In the bottle it mostly smells like golden amber musk.  However, once on my skin it blossoms.  The black musk leans in the back, supporting the other notes.  The kyphi is nice and spicy and sweetened by the vanilla syrup.  Arcana’s vanilla is wonderful, and this is no exception.  The golden musk and spikenard give the blend a slightly lighter feel.  Overall, despite the black musk, thick vanilla and kyphi this is not a heavy blend.  It smells light and flowing.  More like a veil of scent than a blanket.  The throw is light to medium at times.

Tramp, from Part II of The Prynne Collection, contains: Red roses, worn leather, blood cedar, oudh, and 3 trampy musks. In the bottle is smells of beautiful full red roses.  On my skin the roses bloom with a hint of the blood cedar underneath.  As it dries the oudh comes out and it is a beautiful brownish-gold smell, deep and intoxicating.  The musks start to come out – perhaps one is a red musk?  When it is completely dry the leather comes out to layer along with everything.  At first this was almost boozy – but as it dried it’s become sexier with the leather, oudh, and musks coming out.  The rose is still apparent, but it becomes more like petals strewn across leather instead of full blooms.  Very beautiful and only slightly trampy.  This has a rather large throw.

Floozy, the last purchase from Part II of The Prynne Collection (notesSilky opium smoked with boozy amber, dark vanilla, and sandalwood.) In the bottle it smells strongly of smoky opium.  Wet on my skin it’s a bit more smoky, but not overwhelmingly so.  The sandalwood is fragrant and bright which contrasts nicely with the dark vanilla and the boozy amber.  This is gorgeous, flouncy and flowing, and so soft. Floozy is sweet, smoky, and woody – darkly golden with sweet opium smoke. It has a wonderful throw – not too much, not a skin scent – that nice in-between.